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Faux Paint, Epoxy Coatings
This is a new twist for a coating that is rarely celebrated for its artistic qualities. Epoxies have been used for years on concrete floors in factories, hotel lobbies and other commercial settings because of their adhesion, hardness and resistance.
by John Strieder
by adding metallic effects to their arsenal, says James Johnson, president of Las Vegas-based Floor FX. “Metallics are a unique option.” Floor FX offers metallic coatings that can be applied in one day. “We have an epoxy coating that looks three feet deep, but it’s only 16-20 mils,” Johnson says. “It looks so deep you could fall into it.” For extra protection, a second, clear polyurethane coating can be added for additional chemical and abrasion resistance, he says.
Contractors who sell these special-effects floors are making a killing, Tizard says.
 “The materials cost might be double, but that still doesn’t warrant the extra $3 per square foot you’re getting paid. Obviously in time prices will come down. But it’s definitely something that’s very profitable, and it looks good.”
Even so, Manuel says that commercial architects often feel more comfortable than homebuilders experimenting with epoxies. “Their minds’ eye is a little bit better to see what they can expect with an epoxy,” he says. “It’s not the sort of thing you try and see if you like. They are very difficult to remove.”
They’re also harder to apply, especially for contractors who are used to pouring acrylic into a sprayer to seal a back porch.
Johnson’s company, Floor FX, offers contractors assistance in building businesses that specialize in the vinyl flake market. Some contractors gross $1 million a year just on coating garage floors, he says.
Epoxy, a coating that cures, is more temperamental than acrylic paint, a liquid that dries.
 “Typically with these things you just need a good clean surface,” says Darryl Manuel of Vexcon. But by clean, he means pristine. No powders, oils, acids or compounds that could disrupt the curing and bonding process. Often, the surface needs to be roughed. This can best be accomplished by shotblasting or grinding.
“Epoxy’s tough to bond,” says Tubbs. “The surface has to be clean. There’s a lot more prep work getting that stuff to stick.”
And epoxies have their limitations. Traditionally, their biggest liability has been their lack of breathability — the ability to let moisture vapor seep through them into the open air. When those vapors are smothered, something has to give, and it’s often the coating.
Moisture in concrete is one of the main reasons epoxies fail, says Manuel, noting that most epoxies cannot be applied on green concrete surfaces. Another is improper pH levels in the concrete.
Epoxies are also notorious for chalking and yellowing outdoors, but these days, there are exceptions. Aliphatic epoxies, unlike aromatic epoxies, stand up to the outdoor elements and, as a bonus, allow better gloss retention. Vexcon’s PowerCoat Epoxy System does not yellow or chalk even in aromatic form, has better breathability than a standard epoxy, and can be applied as soon as the concrete is finished, Manuel says.
But nonyellowing epoxies introduced in the 1990s cost three to four times as much as typical epoxies, notes Essig. And epoxies have a tendency to show wear patterns, he adds. “The best epoxy is not going to match the abrasion resistance of the two-component urethane.”
Tubbs, owner of Concrete Graphix, once had to eat a $20,000 job because epoxy he laid on an acid-stained floor came up a year later.
Now, he takes no chances. He sticks to one brand he trusts. If an epoxy manufacturer doesn’t make acid stain, he says, it may not have tested its epoxy on acid stain. “There’s a lot of stuff out there that’s not that good.”
Duarte of Versatile urges contractors to find out if the companies that supply their epoxy employ a chemist and manufacture in-house. “These guys often have no manufacturing capability, no technical service,” he says. “Sometimes the company is just an ex-contractor. That’s the biggest thing we have to fight out there.”
Epoxies should also be tested with a mock-up before they are used on the job, he says. “You need to know what you’re putting down and understand why you’re doing it.”
Tizard of Floric Polytech says one of the biggest problems for contractors lurks in the lips of their epoxy cans.
When a contractor mixes chemical “B” into can “A” and starts to mix the epoxy, some of the “A” material can surge up into the lip of the can and not get blended with the rest.
Then when the can is poured onto the concrete floor, the unblended material in the lip shows up as soft spots in the coating. “They don’t mix resin enough to get the uncured spots,” Tizard says. “That’s universal within the industry, that people make that mistake.”
 His solution is simple — mix the epoxy in the source can, pour it into a second and mix again for about 30 seconds, then pour it into a third to carry it to the concrete surface.
Johnson has his own words of warning. “If the surface is deteriorated, thin mil coatings won’t camouflage that,” he says. “If the concrete is so bad it’s going to result in a failure two years down the road, walk away.”
Tizard has a number of tips for coaxing flashy effects from an epoxy.
For example: When an epoxy with metallic additives is laid on a floor, the pigments can form lines like a mowed lawn.
To get a uniform-looking finish, Tizard recommends letting the epoxy cure for about an hour, then spritzing the surface with a dispersal agent such as alcohol or a flow and leveling agent. The tiny drops of fluid have a dramatic effect. “Each one is like dropping an atom bomb in a forest,” he says. The resin flows back into the small craters, but the pigments remain displaced.
Another tip: Lay a pigmented base-coat down, then throw a coat of a water-based metallic on top. Spray the second coat with a liquid release, like one used for stamp overlays. “It gives a hammered bronze effect, like a hammered bronze sink,” he says.
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